Architecture - archaeological finds - Arabic calligraphy and decoration - music - photography
Islamic manuscripts decorative arts
The Islamic monuments include all the traces of the Muslim heritage and cultural monuments through the history of Islam and its various countries, which extended the length of the Islamic Empire from India and Central Asia in the east to Andalusia and Morocco to the west and the Caucasus and Sicily north to the country of Yemen to the south, and flourished manifestations of urbanization and civilization in this vast empire All around.
The most important things that stop us in the Islamic monuments are the flourishing arts that emerged since the first century AH (7th century AD) and continued to grow and grew until the youthful intensity of the youth in the seventh and eighth centuries AH (thirteenth and fourteenth century) and then brought to the pyramid and weakness since the twelfth century AH 10 AD) after the Muslims were influenced by Western arts and accepted to imitate them, and said their attachment to their inherited techniques.
The term Islamic art has been used to denote the Islamic arts of the Arab countries such as Arabic, Indian, Turkish or Persian. Moreover, although Islamic art was unified in form, style and content, there are distinct differences according to regions and ages. I came into Islam with the fact that the Islamic faith is the driving force behind all these various artistic manifestations. The influence of these arts spread to Europe in the Middle Ages through artifacts that were transferred from the East. The Europeans also saw many of the buildings built by Muslim Arabs in their countries The Islamic East contacted Europe in the Middle Ages with the first trade link, Andalusia and the island of Sicily. Secondly, thanks to the observations of the third Christian pilgrims and then by the Crusades that took place between 1906 and 1273 AD, .
The aim of this section is to study the mutual artistic influences between East and West, as well as to conduct detailed research in all matters related to archeology and Islamic arts, in various styles of Umayyad, Abbasid, Seljuk, Fatimid, Andalusian, Mamluk, Mongolian, Moroccan, Safwat, Hindi and Ottoman.
The studies include: Fine arts in mosques, palaces, gardens, and antiques such as ceramics, metals, machetes, wood, glass, textile, carpets, crystal, ivory, pottery, engraving arts in plaster, stone, mosaics and jewels, in addition to the arts of photography and decoration, gilding, engraving, Whether by digging or drawing in the material wastes that are transported and not transported in all its parts: plant, animal, engineering and writing. And the miniatures of art that is flourishing in the Muslim East.
It is our program to pay attention to the Arabic calligraphy of its high standing among the other lines of the world languages, and its creative extension, some fourteen centuries ago. Whereas during this period it was aesthetically leading all the other lines of the world, and importantly, other nations, The font is written in different languages, including Turkish, Persian, Urdu, Malayalam, Kurdish, Afghan, etc.
Efforts will be made to highlight the aesthetics of the Arabic calligraphy in all its other forms: such as the Thuluth line, the copy line, the calligraphy line, the kufic line, etc., and study the stages in which this line developed with the manuscripts of the calligraphers and their written remnants and their wonderful effects, including today hundreds of thousands and even millions of precious manuscripts, The world's most famous libraries and museum cabinets.
Thus, all aspects related to the artistic effects of Islam and all levels of knowledge, science and technology will be the subject of study because it represents the bright face of Islamic culture, which we consider to be a complete system of historical values of ancient proportions of Islam based on its aesthetic and scientific importance and the need to revive and relate to our contemporary life. all
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